There’s is always a certain charm in music that doesn’t try to hide its seams. On The Stories That You Weave, Victims of the New Math, helmed by longtime songwriter Thomas Young, leans fully into that feel, crafting a lo-fi indie rock record that feels immediate yet unpolished in all the right ways. Catchy tunes, fantastic instrumentals from start to finish, you can literally feel the soul emanating from this record coming from the first track.
As if everything they’ve released and we’ve reviewed in the past wasn’t amazing already, Blueprint Tokyo have somehow leveled up their special slice of indie rock on an EP that has completely taken us by hold. The Oklahoma City band have crafted a six-song arc that feels like it was carved out of pressure and patience. It thrives in the tension, the instrumental balance, with soaring harmonies that have legitimately been stuck in our heads since the first listen.
When something was made in a place that has sincere meaning to them, you can literally feel the soul ooze out of the music itself. On Lemon Moon EP, Anthony Presti transforms a beloved Sebastopol cottage into more than just a recording space, it almost becomes a character or a mood that’s become apart of the whole record. What’s emerged from that setting is a six song collection that feels less like a studio project and more like a memory you can step into.
There are songs that aim to comfort and then there are songs that dare to sit in the discomfort, to stare directly into grief, confusion, and anger without blinking. On “I DON’T BELIEVE IN GOD!”, Los Angeles-based artist Imani Archer chooses the latter, delivering a striking and emotionally unfiltered single that feels less like a performance and more like a reckoning. To call this perfection would still somehow be an understatement, we mean that.
On paper, a track called “Dumpster Fire” might suggest collapse, noise, or maybe even a wink of irony. But in the hands of Blacklight Beat Patrol, it becomes something far more incredible. It’s a meticulously constructed descent into sonic disorder that feels less like a breakdown and more like a controlled detonation. Trust us, what he’s managed to do with the production and sound design should be studied!