Whitney have always had a gift for turning the everyday into something luminous, but Small Talk feels like the album where they’ve distilled everything they’ve been chasing since their debut into one cohesive statement. Set for release November 7th on AWAL, the Chicago band’s fourth record is not just their most affecting to date, it’s arguably their best, full stop. If their past albums flirted with brilliance, this one weds it, an effortless blend of their signature soft-focus soul, shimmering folk-rock warmth, and tenderly crafted pop that glows from the first note to the last.

Gogol Bordello has never been a band content with just raising the roof—they raise the entire damn village. This summer, frontman Eugene Hütz is leading the gypsy-punk collective into a blazing season of chaos, community, and continuity. Touring with a crew of handpicked artists from his label Casa Gogol Records, Hütz is not only reasserting the band’s legacy as live legends, but also highlighting the next wave of genre-busting artists redefining what New York sounds like in 2025.

Before their performance at Shabang Festival, I sat down and talked with the members of Almost Monday, an indie pop band from San Diego, CA. The three members, Dawson Daugherty (vocals), Cole Clisby (guitar), and Luke Fabry (bass), recently finished their first full international headline tour this past March. At the beginning of the year, they released the deluxe version of their debut album, DIVE, with their hit “can’t slow down” hitting #1 on Alternative Radio.

With the resurgence marked by last year's "Childhood Eyes" EP and a massive U.S. tour, Yellowcard has proven they are far from fading into the annals of pop-punk history. Their latest collaboration, "A Hopeful Sign," with neoclassical/post-rock ambient artist Hammock, further cements their innovative spirit. As they prepare for an even bigger tour this summer with Third Eye Blind, Yellowcard's momentum is undeniable. We had the chance to sit down with frontman Ryan Key to discuss their latest projects and the band's enduring legacy.

October 18th in Las Vegas was a milestone for pop-punk fans everywhere, as the When We Were Young Festival delivered what can only be described as one of the greatest festival days in the genre’s history. From start to finish, the energy, the music, and the atmosphere combined for an experience that will be remembered for years to come.

October 18th in Las Vegas was a day packed with pop-punk history, and blink-182 proved why they are still one of the genre’s most electrifying acts at the When We Were Young Festival. As one of the two headliners, the band delivered an hour-and-a-half set that combined all the hits, non-stop energy, and irreverent humor fans have come to expect, sending the crowd into a near-constant frenzy from start to finish.

As the sun set over the Las Vegas desert on October 18th, the When We Were Young Festival reached a fever pitch, and Weezer took the stage to remind everyone why they remain one of rock’s most enduring and beloved acts. With a short but exhilarating set, the band brought all the hits, unstoppable energy, and stage presence that had the crowd screaming, dancing, and singing along from the very first note.