Gogol Bordello has never been a band content with just raising the roof—they raise the entire damn village. This summer, frontman Eugene Hütz is leading the gypsy-punk collective into a blazing season of chaos, community, and continuity. Touring with a crew of handpicked artists from his label Casa Gogol Records, Hütz is not only reasserting the band’s legacy as live legends, but also highlighting the next wave of genre-busting artists redefining what New York sounds like in 2025.

Before their performance at Shabang Festival, I sat down and talked with the members of Almost Monday, an indie pop band from San Diego, CA. The three members, Dawson Daugherty (vocals), Cole Clisby (guitar), and Luke Fabry (bass), recently finished their first full international headline tour this past March. At the beginning of the year, they released the deluxe version of their debut album, DIVE, with their hit “can’t slow down” hitting #1 on Alternative Radio.

With the resurgence marked by last year's "Childhood Eyes" EP and a massive U.S. tour, Yellowcard has proven they are far from fading into the annals of pop-punk history. Their latest collaboration, "A Hopeful Sign," with neoclassical/post-rock ambient artist Hammock, further cements their innovative spirit. As they prepare for an even bigger tour this summer with Third Eye Blind, Yellowcard's momentum is undeniable. We had the chance to sit down with frontman Ryan Key to discuss their latest projects and the band's enduring legacy.

In his latest album, "Garde-fou," Julien Barbagallo delivers a masterful showcase of art pop that transcends language barriers and captivates listeners with its timeless charm. Released on March 15th, 2024, this home-made production, recorded solo from his Australian residence and beyond, reflects Barbagallo's unwavering dedication to crafting elegant melodies and poetic lyricism.

San Francisco’s Golden Gate Park once again transformed into the ultimate festival playground for Outside Lands 2025, and it lived up to its reputation as one of the very best festivals in the country. With a lineup stacked from top to bottom — featuring Hozier, Anderson .Paak, Doechii, Doja Cat, Vampire Weekend, and countless others — music lovers were treated to a nonstop parade of incredible performances that spanned genres, moods, and eras. Each day brought surprises, surprises that left festivalgoers buzzing long after the final notes.

Hozier’s performance at Outside Lands 2025 on the Lands End stage was nothing short of transcendent, a masterclass in commanding presence and soulful storytelling. From the opening notes, it was clear that this was going to be a high-energy, unforgettable set, and Hozier did not disappoint. Known for his festival-ready performances and ability to connect with audiences of all sizes, he brought an electrifying energy that had the crowd singing along from start to finish.

Anderson .Paak took the Twin Peaks stage at Outside Lands 2025 and instantly turned it into a pulsating, joyous celebration. From the very first beat, the crowd was electrified, drawn into the kinetic energy that .Paak exudes effortlessly. Known for his relentless touring and festival circuit domination, he brought a performance that was as polished as it was spontaneous, proving yet again why he’s considered one of the most dynamic live performers of his generation.

Bleachers delivered one of the most electric and unforgettable performances of Outside Lands 2025, taking over the Lands End stage with a set that will be remembered as one of the weekend’s absolute highlights. Jack Antonoff, an artist already celebrated for his songwriting and production work, proved once again why he’s a commanding force as a frontman, leading the band through a high-energy, crowd-igniting performance that left every attendee buzzing.